[vc_row css=”.vc_custom_1658552046324{padding-top: 45px !important;padding-right: 10px !important;padding-bottom: 40px !important;padding-left: 10px !important;}”][vc_column enable_content_animation=”yes” ca_init_scale_x=”1″ ca_init_scale_y=”1″ ca_init_scale_z=”1″ ca_init_opacity=”0″ ca_an_scale_x=”1″ ca_an_scale_y=”1″ ca_an_scale_z=”1″ ca_an_opacity=”1″ offset=”vc_col-md-7″ ca_duration=”1200″ ca_delay=”150″ ca_init_translate_y=”60″ ca_init_rotate_z=”3″][ld_fancy_heading tag=”h2″ enable_txt_rotator=”yes” items=”%5B%7B%7D%5D” ca_init_scale_x=”1″ ca_init_scale_y=”1″ ca_init_scale_z=”1″ ca_init_opacity=”1″ ca_an_scale_x=”1″ ca_an_scale_y=”1″ ca_an_scale_z=”1″ ca_an_opacity=”1″ use_inheritance=”true” enable_fit=”true” enable_split=”true” minfontsize=”32″ color=”rgb(220, 11, 11)”]Dimple Bahl is a practicing visual design strategist[/ld_fancy_heading][ld_spacer height=”30px”][ld_button style=”btn-naked” title=”National institute of fashion technology” transformation=”text-uppercase” i_add_icon=”true” color=”rgb(245, 245, 245)” fs=”13px” ls=”0.15em” hover_color=”rgb(0, 0, 0)” text_color=”rgb(0, 0, 0)” i_color=”rgb(0, 0, 0)” fw=”700″ i_hcolor=”rgb(255, 255, 255)”][/vc_column][/vc_row][vc_row css=”.vc_custom_1531470798689{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_column][ld_portfolio_listing style=”masonry-classic” horizontal_alignment=”pf-details-h-str” vertical_alignment=”pf-details-v-str” columns_gap=”15″ bottom_gap=”30″ post_type=”custom” enable_gallery=”listing-lightbox-gallery” enable_parallax=”no” filter_id=”1531471517993-ee84c110-10ea” unique_id=”1657028499069-2c88daa8-0405″ title_color=”#dd3333″][/vc_column][/vc_row][vc_row css=”.vc_custom_1658405284755{padding-right: 50px !important;padding-left: 50px !important;}”][vc_column][ld_portfolio_listing style=”masonry-creative” columns_gap=”10″ bottom_gap=”30″ post_type=”custom” filter_id=”1658405002997-9f93189b-a32f” unique_id=”1658405002997-ce33fd6b-8ebf” custom_query=”#E-8_aHR0cHMlM0ElMkYlMkZhcnRnYWxsZXJ5LmRyZWFtaG9zdGVycy5jb20lMkZhYm91dC1tZSUyRg==”][/vc_column][vc_column][/vc_column][/vc_row][vc_row content_placement=”middle” css=”.vc_custom_1658552020886{padding-top: 40px !important;padding-right: 10px !important;padding-bottom: 90px !important;padding-left: 10px !important;}”][vc_column offset=”vc_col-md-5″][ld_images_group_container][ld_images_group_element enable_effects=”yes” parallax=”yes” enable_image_shadow=”yes” shadow_style=”4″ enable_roudness=”yes” image_roudness=”6″ enable_shadow=”yes” scale_from_x=”1.3″ scale_from_y=”1.3″ scale_from_z=”1″ from_opacity=”1″ scale_to_x=”1″ scale_to_y=”1″ scale_to_z=”1″ to_opacity=”1″ parallax_overflow=”yes” image=”4413″ translate_from_y=”65″ translate_to_y=”0″][/ld_images_group_element][/ld_images_group_container][/vc_column][vc_column offset=”vc_col-md-offset-1 vc_col-md-6″ css=”.vc_custom_1538133081208{margin-top: -30px !important;}”][ld_fancy_heading tag=”h2″ split_type=”words” ca_init_scale_x=”1″ ca_init_scale_y=”1″ ca_init_scale_z=”1″ ca_init_opacity=”0″ ca_an_scale_x=”1″ ca_an_scale_y=”1″ ca_an_scale_z=”1″ ca_an_opacity=”1″ enable_split=”true” duration=”1200″ delay=”140″ ca_init_translate_y=”23″ ca_init_translate_x=”0″ ca_init_rotate_z=”7″]About Dimple Bahl[/ld_fancy_heading][ld_spacer height=”35px”][vc_column_text]
[ld_highlight]Dimple is practicing visual design strategy and has an enduring interest in traditional Indian folk media. This inquisitiveness in the latter culminated in a celebrated Ph.D. research to understand grids, symbolism, and other nuances in the graphic design of ancient Indian scriptures with the aim to decipher their profoundly textured and meaningful layout techniques. Her exploration of the Indian graphic design paradigm also found expression in a nine-day exhibition, Scripting The Past For The Future, which was conceived, designed, and executed in association with the prestigious National Manuscript Mission and the Indira Gandhi National Centre for Art. It was followed by the publication of a book on the subject – The Ancient Indian Grid System: A New Gateway to Modern Design Language. She recently also had the honor of having her paper entitled ‘Grid systems and universality in Indian graphic design: A study of Jain manuscripts’ published in Communication Design, an acclaimed international, peer-reviewed publication heralded by the prestigious Ico-D published by Taylor & Francis.[/ld_highlight]
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